From Luxor back to Munich – it was not in particular a warm welcome yesterday, arriving at Munich airport with snow showers and much too low temperatures for March! Well, today it is quite sunny and time to resume the last day of work in Asasif.
We successfully closed our tomb magazine and the 2019 season on Sunday – it has been some very intense days full of work and things to organize. Our conservators provided me with a fully illustrated and concise report about the large amount of conservation work conducted in 2019 – in total, 61 objects, in particular coffins, including the five fragmented ones we transported to the magazine, were successfully cleaned and consolidated.
Hassan and Mona were also very productive, resulting in more than 80 drawings of wooden objects, small finds and ceramics. In addition to these drawing, more than 470 objects were photographed by Cajetan with our full-frame camera with very high resolution.
In the final days of work, I took some last photographs of objects, last coffin fragments were cleaned and consolidated. And of course I continued to organize the magazine. Since it always happens on excavations that something new and important turns up at the very last day of work, I was not surprised that I found some new fitting coffin fragments literally in the last minutes of work…. These new fragments are important because they belong to a fascinating, but unfortunately very fragmented coffin we documented earlier this season.
Reg. 661 are fragments of a nicely painted, inner anthropoid wooden coffin which was found as one of the secondary burials within the burial compartment of Ankh-Hor (Room 7.2). For our conservators, these fragments presented one of the biggest challenges this year: The soft wood fragments are partly blackened and burnt due to the looting of TT 414 and the respective damage to the tomb inventories.
The owner of Reg. 661 was a female singer of Amun-Re from Karnak with the name Taremetjbastet. Since we know her family relations very well, we can date her death and burial to between 320 and 300 BCE.
Of particular interest is the decoration of the foot part of the coffin – I have published first ideas about Reg. 661 already some years ago (Budka 2013). In the center of the foot board there is a sun disc flanked by a snake and a crocodile – this is nothing else than the opening scene of the Litany of Re, attested for the first time in the famous tomb of Sety I in the Valley of the Kings! To be best of my knowledge, there is only one parallel for this motif on foot boards of private coffins – and this is CG 29316, a stone sarcophagus from the 30th Dynasty (see Budka 2013).
Our wooden coffin Reg. 661 from TT 414 is exemplary for is the complex creation of decorated and inscribed coffins in Thebes during the 4th century BCE – Amun priests were extremely creative in combining various aspects, especially cosmogonic ones, using older texts and depictions and creating new ones, focusing on the resurrection of the deceased in conjunction with Re and Osiris. Still little is known about this fascinating creative work which is embodied in funerary objects like coffins, but also cartonage and canopic boxes – all of which are so plentiful from TT 414.
The lid fragments of Reg. 661 which I re-located in the last minutes of the 2019 season still need to be consolidated in the next season of the Ankh-Hor Project – like many other pieces, in particular of Ptolemaic and Roman coffins. Thus, Reg. 661 with its intriguing decoration nicely illustrates the already successful outcome and the scientific potential of the Ankh-Hor Project – but also the urgent need to continue our jigsaw puzzle reconstructing the complex burial processes in TT 414 and enlightening the intricate design of 30th Dynasty and Ptolemaic wooden Theban coffins.
Budka, Julia. 2013. Krokodil, Schlange und Kuhantilope: Ein frühptolemäischer Holzsarg aus dem Grab des Anchhor (TT 414), in: Florilegium Aegyptiacum ‒ Eine wissenschaftliche Blütenlese von Schülern und Freunden für Helmut Satzinger zum 75. Geburtstag am 21. Jänner 2013, ed. by Julia Budka, Roman Gundacker and Gabriele Pieke, Göttinger Miszellen Beihefte 14, Göttingen, 41–57.